Deep Red (original title Profondo rosso; also known as The Hatchet Murders) is a 1975 Italian giallo film, directed by Dario Argento and co-written by Argento and Bernardino Zapponi. It was released on 7 March 1975. It was produced by Claudio and Salvatore Argento, and the film's score was composed and performed by Goblin. It stars David Hemmings as a music teacher who investigates a series of murders performed by a mysterious figure wielding a hatchet.
Although the film was not a financial success internationally, it met with critical acclaim and is the most well-known giallo film to date.
Plot: The film follows music teacher Marcus Daly (Hemmings) as he investigates the violent murder ofpsychic mediumHelga Ulmann (Macha Meril), which he witnesses in an apartment building. Other major characters are introduced early, including Daly's friend Carlo (Gabriele Lavia), Ulmann's associate Dr. Giordani (Glauco Mauri) and reporter Gianna Brezzi (Daria Nicolodi), with whom Daly begins an affair.After his attempt to rescue the medium fails, Daly realizes he has seen a certain painting among a group of portraits on the wall of the victim's apartment, but it seems to have disappeared when the police arrive. Later in the film, he also initially overlooks another clue that causes him to discover a mouldering corpse walled up in a derelict house. One murder leads to a series of others as Daly's obsession with this vital clue that he fails to understand endangers his life and that of everyone with whom he comes into contact. Among those killed are Giordani, Amanda Righetti (Giuliana Calandra) and Carlo. The killing of Helga Ulmann is prefaced by a child'sdoggereltune, the same music that accompanies the film's opening sequence in which two shadowy figures struggle until one of them is stabbed to death. The music serves as the murderer's calling card. When Daly hears it in his own apartment soon after becoming involved in the case he is able to foil his attacker. Later, he plays the tune to Giordani, a psychiatrist, who theorizes that the music is important because it probably played an integral part in a traumatic event in the killer's past. The doctor's theory is of course correct, as the identity of the killer is finally revealed as Carlo's insane mother Martha (Clara Calamai). When Carlo was still a child, he watched as she murdered her husband when he tried to have her committed to amental hospital, then entomb his body in a room of their house. Daly's discovery of the corpse is one of the film's most dramatic moments.
Magnet link for Utorrent: magnet:?xt=urn:btih:80e90c92cd1a04033080bddc76063cc106918c2a&dn=pet+sematary+1989+dvdrip+dual+audio+eng+hindi+destiny&tr=http%3A%2F%2Fexodus.desync.com%3A6969%2Fannounce
This is one of my favorite movies. Unfortunately I never had the time to read the book written by Stephen King (well, he has TOO MANY books...) Pet Sematary (PS) is a 1989 horror flick based on Stephen King's novel of the same name. After moving into their new home the Creed family's cat is killed after wondering onto the highway. Jud an elderly neighbor shows Louis, the father, to an isolated hill behind the local Pet Cemetery and instructs him to bury the deceased feline there. Not long after the cat reappears at the Creed home, only he is not the same. The docile cat is now vicious and destructive. When their youngest son meets with a fatal accident, the distraught Louis buries him in the same location hoping to revive him. Unfortunately he unleashes far more than he had bargained for.
Plot Summary: Louis Creed, a doctor from Chicago, moves to a house near the small town ofLudlow, Mainewith his family: wife Rachel; their two young children, Eileen ("Ellie") and Gage; and Ellie's cat, Winston Churchill ("Church"). Their neighbor, an elderly man named Jud Crandall, warns Louis and Rachel about the highway that runs past their house; it is used by trucks from a nearby chemical plant that often pass by at high speeds.
Jud and Louis become friends. Since Louis's father died when he was three, his relationship with Jud takes on a father-son dimension. A few weeks after the Creeds move in, Jud takes the family on a walk in the woods behind their home. A well-tended path leads to a pet cemetery (misspelled "sematary") where the children of the town bury their deceased animals, most of them dogs and cats killed by the trucks on the road. A heated argument erupts between Louis and Rachel the next day. Rachel disapproves of discussing death and she worries about how Ellie may be affected by what she saw at the cemetery. It is later explained that Rachel was traumatized by the early death of her sister, Zelda, from spinal meningitis.
Louis has a traumatic experience as director of the University of Maine's campus health service when Victor Pascow, a student who is fatally injured after being struck by an automobile, addresses his dying words personally to Louis even though they have never met. On the night following Pascow's death, Louis is visited by the student's walking, conscious corpse, which leads him to the cemetery and refers specifically to the "deadfall", a dangerous pile of tree and bush limbs that form a barrier at the back. Pascow warns Louis not to "go beyond, no matter how much you feel you need to." Louis wakes up in bed the next morning convinced it was a dream, but discovers his feet and the bedsheets covered with dirt and pine needles. Louis dismisses the episode as a result of stress caused by Pascow's death coupled with his wife's anxieties about death. He accepts the situation as a bout of sleep walking.
Louis is forced to confront death at Halloween, when Jud's wife, Norma, suffers a near-fatal heart attack. Thanks to Louis's immediate attention, Norma recovers. Jud is grateful for Louis's help, and decides to repay him after Church is run over by a truck at Thanksgiving. Rachel and the children are visiting her parents in Chicago, and Louis frets over breaking the news to Ellie. Jud takes him to the pet cemetery, supposedly to bury Church. Instead, Jud leads Louis beyond the deadfall to "the real cemetery": an ancient burial ground that was once used by theMicmacs, a Native American tribe. Following Jud's instructions, Louis buries the cat and constructs a cairn.
The next afternoon, the cat returns home. However, while he used to be vibrant and lively, he now acts strangely and "a little dead," in Louis's words. Church hunts for mice and birds much more often, but rips them apart without eating them. The cat also gives off an unpleasant odor. Louis is disturbed by Church's resurrection and begins to regret his decision. Jud tells Louis about his dog Spot, who was brought back to life in the same manner when Jud was twelve. Louis asks if a person was ever buried in the Micmac grounds, to which Jud answers vehemently no.
Several months later, Gage, who had just learned to walk, is run over by a speeding truck. At Gage's wake, Rachel's father, Irwin, who never respected Louis or his daughter's decision to marry him, berates Louis harshly, blaming Louis for the boy's death. The two fight in the funeral home's viewing room and upset the casket; Rachel witnesses the fight and becomes hysterical.
Overcome with grief and despair, Louis considers bringing his son back to life with the power of the burial ground. Jud, guessing what Louis is planning, attempts to dissuade him by telling him the story of Timmy Baterman, a young man from Ludlow who was killed charging a machine gun nest on the road to Rome during World War II. His father, Bill, put Timmy's body in the burial ground, where he came back to life, and was seen by terrified townsfolk soon thereafter. Jud and three of his friends went to the Baterman house to confront the pair, but Timmy confronted each of them with indiscretions they had committed, indiscretions he had no way of knowing, thus giving the impression that the resurrected Timmy was actually some sort of demon who had possessed Timmy's body. Jud and his friends fled the house horrified, and Bill shot his son and burned his house to the ground, killing himself.
Jud concludes that Gage died because he showed Louis the burial ground. There are hints that at some point the burial ground was used for victims of cannibalism and that it became the haunt of the Wendigo, a terrible creature of the forest, whose mere presence gives men a taste for the flesh of their own kind. In Jud's words the "ground had gone sour" and now corrupts any animal or person buried there.
Despite Jud's warning and his own reservations, Louis's grief and guilt spur him to carry out his plan. Louis has Rachel and Ellie visit her parents in Chicago again, not telling them his intentions, intending to bury Gage and then spend a couple of days with him in private to 'diagnose' his son and determine if what happened to Timmy has happened to him. Louis exhumes his son's body and takes him to the burial site. Along the trail, the Wendigo nearly frightens him away but Louis's determination, combined with the power of the burial site, keeps him moving.
Ellie has a nightmare featuring Victor Pascow on the flight to Chicago. Because of Ellie's near hysteria, and an agreement between Rachel and her daughter as to Louis's behavior, Rachel attempts to fly back to Maine, but misses her connecting flight at Boston and decides to drive the rest of the distance.
Louis buries Gage at the burial ground. Gage returns as a demonic shadow of his former self, able to talk like an adult. He breaks into Jud's house and taunts Jud about his wife's implied infidelity, then kills Jud with one of Louis' scalpels. When Rachel arrives at Jud's house, Gage kills her also (and, it is implied, partially eats her corpse). This event pushes Louis's mind into its final stage of insanity. Louis kills Church and Gage with a fatal dose of morphine, and then grieves for his son by sitting in the corner of the hallway.
Louis, now completely insane and having prematurely aged with shockingly white hair, burns down Jud's house, then carries Rachel's body to the burial ground, saying that he "waited too long" with Gage but is confident that Rachel will come back the same as before. After being interrogated by investigators about the fire, Louis waits until nightfall for Rachel to return. Playing solitaire, he hears his resurrected wife walk into the house, and the novel ends with Rachel speaking "Darling", her mouth sounding as if it is full of dirt.
The first time I watched this film I was in my room, I was only five or six year old. My dad was writing some papers in the living room and my brother was with him. I took advantage of the situation and I watched the film (they didn't want me to watch those kind of movies) and I was scared as hell. But I loved it. I'll love this movie forever. And tonight I'm going to watch it again. Here is the torrent for you to download it (it works and is about 700mb): magnet:?xt=urn:btih:96cf0e96cbb2dd2596ad59fdb5a6960c12e28957&dn=night+of+the+living+dead+1968+dvdrip+eng+stealthmaster&tr=http%3A%2F%2Ftracker.publicbt.com%2Fannounce "The radiation from a fallen satellite might have caused the recently deceased to rise from the grave and seek the living to use as food. This is the situation that a group of people penned up in an old farmhouse must deal with." Bickering siblings Johnny and Barbra are traveling by car to a rural cemetery, where they visit their father's grave. They are approached by a pale-faced man who stumbles toward them and attacks Barbra. Johnny pulls the man off of Barbra and struggles with him, but is knocked unconscious and possibly dead after tripping and hitting his head violently on the edge of a gravestone. The man then pursues Barbra back to the car, but Barbra cannot start it because the keys are in Johnny's pocket. She takes the car out of gear and it begins to drift away on its own, but she accidentally steers it into a tree. She abandons the car and runs down a roadway to a nearby farmhouse, with the man still pursuing her. She discovers the house seemingly deserted, and the phone is out of order. Her attacker stumbles around the outside of the house looking for her, and is joined by several others. They all seem to be in a kind of trance, behaving in an animalistic way. Exploring the house further, Barbra makes a gruesome find at the top of the stairs: a human body that seems to have been partially devoured by something.
In a panic and attempting to flee the house, Barbra is intercepted by Ben, who arrives in a pickup truck and attacks the mysterious figures with a tire iron. Barbra is further driven into hysteria when she sees Ben violently smashing the skulls of the strange men who keep trying to get into the house. Ben urges her into action and the two of them begin boarding up the doors and windows from the inside with dismantled furniture and scraps of wood. They awkwardly trade their stories; Ben seems to be a drifter who was passing through the area when suddenly a wave of unexplained violence began unfolding. He tells Barbra about a scene of mayhem that he encountered at a diner, and Barbra tells him about the incident with Johnny in the cemetery. When Barbra becomes hysterical and wants to go out after Johnny, she strikes Ben and Ben hits her in the face. Barbra passes out in shock.
Ben goes upstairs and finds a rifle and a radio as Barbra lies incapacitated on a couch in the living room listening to the radio report. Emergency broadcasters tell stories of widespread violence and mayhem being committed by people who seem to be in a 'trance'. Suddenly, Barbra is startled when the cellar door opens and people emerge from the basement. Ben is attracted by her screams and they confront the newcomers. An older man introduces himself as Harry Cooper, and the younger man is named Tom. Harry says that he has his wife, Helen, and his daughter, Karen, in the basement as well. Karen has been hurt and cannot be moved. Tom has a girlfriend named Judy, also in the cellar hiding.
Immediately the group begins bickering. Ben is furious with Tom and Harry for not coming out earlier to help him barricade the house. Harry is an irrational man who insists that they all barricade themselves in the cellar and wait for help. Ben refuses, saying that if their attackers ever got into the cellar, it would be the end of all of them, as there is only one entrance. Harry angrily retreats to the cellar with Helen and Karen, and Judy comes upstairs to be with the rest of the group.
Radio reports explain that an epidemic of mass murder is sweeping across the eastern seaboard of the United States. Later, Ben discovers a television and the emergency broadcaster reveals that the murderers are recently dead human beings who have returned to life and who are consuming their victims' flesh. Experts including scientists and military generals are not sure of the cause of the reanimation, but one scientist is certain that it is the result of radiation emanating from a Venus space probe that exploded in the Earth's atmosphere. The report instructs that a gunshot or heavy blow to the head will stop the "ghouls" and that posses of armed men are patrolling the countryside to restore order.
The broadcast provides a constantly scrolling list of local towns that contain "rescue stations" to provide citizens with protection and necessities. Ben notices a nearby town called Willard and devises a plan to escape using his truck, but it needs refueling. He exits the house armed with the rifle and a torch. Tom and Judy offer assistance, but when they arrive at a fuel pump near the house, Tom carelessly splashes gasoline on the torch, starting a grass fire that quickly spreads to cover the truck. The truck explodes with Tom and Judy inside. Ben runs back to the house to find that Harry locked him out. He kicks the door open and forces his way inside, and after Harry helps him board up the door again, he punches Harry repeatedly. Some of the living dead begin eating Tom and Judy's charred remains.
Another broadcast comes on the television, showing a local news reporter (Bill Cardille) interviewing a local sheriff (George Kosana) about the search and rescue operations that are underway in the area. Another news report indicates that the levels of the "mysterious radiation" in the area have been increasing, suggesting that the phenomenon is going to become even more widespread than it already is, but also that the situation is going to be under control soon. At that moment, the house goes dark when the area loses power. Perhaps triggered by the darkness, the ghouls surrounding the house begin to attack, attempting to break through the doors and windows of the house. Ben manages to hold them back, but drops his rifle. Harry seizes the fallen rifle and turns it on Ben, who wrests it away from Harry and then shoots him. Harry stumbles into the cellar and dies, approaching Karen's seemingly lifeless body.
Helen also attempts to hold off the zombies, whose great numbers are beginning to overwhelm the barricades over the windows and doors. Barbra suddenly throws herself into the battle, and Helen escapes back into the cellar, where she discovers that her daughter has been transformed into one of the living dead and is consuming part of Harry's corpse. Karen stabs her mother repeatedly with a cement trowel, killing her, before going upstairs. Meanwhile, the undead finally break into the house and Barbra sees her brother Johnny among them. The resultant shock causes her to lower her defenses and she is carried away into the zombie horde. Ben retreats into the cellar, locking the door behind him (which, ironically, was Harry's plan all along). He shoots the reanimated Harry and Helen Cooper.
In the morning, a posse approaches the house and proceeds to kill the remaining zombies. Hearing the commotion, Ben cautiously goes up the cellar stairs into the living room, but is shot in the head by an overzealous posse member who mistakes him for a zombie. His body is carried from the house and burned with the zombie corpses. TRAILER.
Download via torrent: http://torcache.net/torrent/66FBC54D3AF47B97F4C846D7171FE5C86614145A.torrent?title=[kat.ph]they.call.her.one.eye.1974.recomp
Thriller: A cruel Picture/They call her one eye
When I first watched this film I was like shocked. I watched it because I had just discovered the 'exploitation' cinema genre and I wanted to know what it was about. Besides, I heard that Quentin Tarantino watched this movie and inspired him to create the 'Elle Driver' Kill Bill character. This movie is fun but it's content it's very strong (not recommended for people under 18). You really get into the character, you get to know her, feel pity for her, and immediately you want to see her taking revenge. The final scene of this movie is awesome. The other day, talking with my boyfriend, he said that that kind of revenge, I mean, killing the people who fucked you, it's stupid. Because if you kill that people, you will stop they're 'suffering'. They won't feel anything anymore. They won't think. They won't breathe. So, for him, the best way to take revenge is locking that man for years and torture him. I explained to him that revenge is like a wound that itches. You wanna scratch it as fast as possible. You are full of anger. You just want to see that fucking basterd dead. Well, I write some information about this movie and it's plot, enjoy: Thriller – A Cruel Picture (Swedish: Thriller – en grym film, also known as They Call Her One Eye, Hooker's Revenge and Thriller) is a 1973 Swedish exploitation film in the "rape and revenge" genre written and directed by Bo Arne Vibenius under the name "Alex Fridolinski". It tells the story of a mute young woman who is being forced into heroin addiction, for which she has to work as a prostitute, and her revenge on the men responsible. The film was marketed as the first film ever to be completely banned in Sweden, although the first one actually was Victor Sjöström's The Gardener from 1912. It has received a cult following and was one of the inspirations behind Quentin Tarantino's Kill Bill, specifically the character of Elle Driver (Daryl Hannah). In Daniel Ekeroth's book on Swedish exploitation movies, Swedish Sensationsfilms: A Clandestine History of Sex, Thrillers, and Kicker Cinema, it is revealed that the producers took out a huge life insurance policy on star Christina Lindberg, as real ammunition was used in the action sequences, and that she was asked to inject saline solution during the drug scenes.
Plot:The story is about a quiet girl, Frigga/Madeleine (Christina Lindberg), who issexually assaultedduring her childhood, and the trauma makes her mute. When she becomes older, she accepts a ride from a man, Tony (Heinz Hopf), who makes her aheroinaddict, and then becomes herpimp. At one point, she is stabbed in the eye for refusing a client. She starts saving up money to buy weapons and take classes in driving, shooting, andmartial artsto take revenge. Trailer:
Greta Garbo (18 September 1905 – 15 April 1990), born Greta Lovisa Gustafsson, was a Swedish film actress and an international star and icon during Hollywood's silent and classic periods. Many of her films were sensational hits, and all but three of her twenty-four Hollywood films were profitable.Garbo was nominated four times for an Academy Award and received an honorary one in 1954 for her "luminous and unforgettable screen performances". She also won the New York Film Critics Circle Award for Best Actress for both Anna Karenina (1935) and Camille (1936). In 1999, the American Film Institute ranked Garbo fifth on their list of greatest female stars of all time, after Katharine Hepburn, Bette Davis, Audrey Hepburn, and Ingrid Bergman.
Garbo launched her career with a leading role in the 1924 Swedish film The Saga of Gosta Berling. Her performance caught the attention of Louis B. Mayer, chief executive of Metro Goldwyn Mayer (MGM), who brought her to Hollywood in 1925. She immediately stirred interest with her first silent film, Torrent, released in 1926; a year later, her performance in Flesh and the Devil, her third movie, made her an international star.
With her first talking film, Anna Christie (1930), she received an Academy Award nomination. MGM marketers enticed the public with the catch-phrase "Garbo talks!" That same year she won a second Oscar nomination for her performance in Romance. In 1932, her immense popularity allowed her to dictate the terms of her contract and she became increasingly choosy about her roles. Many critics and film historians consider her performance as the doomed courtesan Marguerite Gautier in Camille to be her finest. The role gained her a third Academy Award nomination. After working exclusively in dramatic films, Garbo turned to comedy with Ninotchka (1939), which earned her a fourth Academy Award nomination, and Two-Faced Woman (1941).
In 1941, she retired after appearing in only twenty-seven films. Although she was offered many opportunities to return to the screen, she declined most of them. Instead, she lived a private life, shunning publicity.
Scary but true. The Switchblade sisters know what they want. Best know as 'The Dagger Debs' are a gang of snarling girls, and Maggie is their newest member. Lace, the ever tooth-gritting leader, befriends her but soon has doubts --it seems Lace's man, Dominic, head of the "Silver Daggers" fancies the new recruit. Lace struggles to keep control of the Debs, and a handle on Nick, as they face off against the rival gang of pushers lead by Crabs.
The Silver Daggers are a gang of young hoods who control an inner-city high school, where they sell drugs and sex to the student body and fight anyone who gets in their way. The Daggers have a ladies' auxiliary, The Dagger Debs, who rumble just as hard as the men, but one day chief Dagger Deb Lace meets her match in Maggie, a new kid who won't back down. When a scuffle lands Maggie and the Debs in jail for the night, Maggie comes to Lace's rescue, and Maggie becomes Lace's new right-hand woman. However, fellow Deb Patch is jealous of Maggie's friendship with Lace, and begins spinning a web of deceit to destroy Lace's trust in the new deb. In the midst of the infighting, the Silver Daggers find their turf challenged by a rival gang who pose as a community action team, and the Debs join forces with a revolutionary political group.
Country
: USA
Language:
English
Release Date:
(USA)
Also Known As:
Playgirl Gang
DID YOU KNOW?
Director Jack Hilll, when interviewed at the 1996 re-release of the film, pointed out that it did have some authenticity - he interviewed girl gang members and rewrote the script. "But the idea of doing a realistic movie about street gangs with beautiful blondes in hot pants was preposterous, so we tried to make it a wacky fantasy."
When introducing the film at Fantastisk Film Festival 1995 in Lund, Sweden, where it was screened under the title Switchblade Sisters, writer/director Jack Hill claimed that he had based the script on Shakespeare's Othello.
Push and Shove is the upcoming sixth studio album by American rock band No Doubt. The album is set to be released on September 25, 2012 by Interscope Records.
The lead single from the album "Settle Down" debuted on July 16, 2012.The music video, which was shot on the week of June 11, 2012, was directed by Sophie Muller, who has previously directed many of No Doubt's music videos including "Don't Speak" and "Underneath It All". They released a behind-the-scenes video of the set of "Settle Down" on June 30, 2012. No Doubt performed the song live for the first time during the Teen Choice Awards on July 22. Following this, they also performed the song during Late Night with Jimmy Fallon on July 26 and on Good Morning America on July 27.
The album's second single "Push and Shove" was released on iTunes on August 29.
I'm a huge fan of No Doubt since I was like 10 years old. First I listened to the 'Rock Steady' Album, and when I read more and more about the band, I started to love Gwen Stefani and started to listen to the old Albums. I love how they were in their 'old school' era, gwen was natural and her voice was a lot way better than now. So, after 9 years, I'm waiting for the new upcoming album. Here is 'Settle Down', no doubt's new single!
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